|
CONTENTS
(scroll down for all content)
Preface
Part I – Ensor LRC Emergency Procedures
Part II -- Specific Materials Damage Documents
Appendix: Resources for Preparing Disaster Plans
Part III -- List of Suppliers and Vendors
Table
of Contents
Top
of Page
Preface
The documents contained here were written and/or compiled by the Ensor Learning
Resource Center Disaster Planning Committee. Members of the Committee for
2004-2006 were as
follows:
Mary Margaret Lowe (Director, Ex Officio)
Susan Martin (Collection Development Librarian)
James Seamans (Chair. Head, Technical Services Department)
Glen Taul (Archivist)
Kimberley Edwards (former Circulation Manager)
Part 1 of this document constitutes the Ensor Learning Resource Center's
Emergency Plan.
Part 2 of this document consist of guidelines for dealing with damage to
specific materials and formats.
Lastly it is a recommendation of the Committee that all staff be made aware
of this document and should familiarize themselves with its contents to the
appropriate level required of their position.
Table
of Contents
Top
of Page
PART I
EMERGENCY PROCEDURES
GENERAL GUIDELINES
Part 1 of the manual provides guidance for responding to emergencies/disasters that
may occur at the library. For each emergency situation, the manual lists
immediate steps that should be taken by any staff member encountering the
situation, as well as steps that should be taken by Emergency Contacts after the
emergency has been reported to them. In order to ensure a coordinated response
to an emergency it is important that staff not go beyond the immediate steps
outlined without contacting an Emergency Contact.
Emergency contacts can be the appropriate emergency personnel (fire,
security, etc.) or the Librarian / Supervisor on duty.
The general order for emergency contacts will be in this order of priority, depending
on availability at the time:
1. Fire / Medical / Police emergency contact
2. The Library Director
3. Librarians / Managers on duty
4. Appropriate campus office
The library staff cited above will assume responsibility for the appropriate
actions to be taken. Except as specified in this manual, do not make phone calls
to campus safety or other emergency services unless - the nature of the
emergency necessitates it, instructed to in the
procedures or to do so by the emergency contact who is coordinating the response
to the emergency.
Remember that in any emergency the first priority is always the safety of
people. Preventing property damage, while important, is
always a lower priority than personal safety. Do your best to remain calm. Do
not allow yourself to be goaded into a hasty and ill-advised response by persons
in the library who are in a state of alarm because of the emergency.
Be aware of the location of the nearest copy of the Emergency Procedures
Manual, so that it can be consulted at a moment’s notice. It is not possible
to remember everything in the manual, but it is important to know where the
information can be found.
The decision to close the building should be based on the nature of the
emergency, consultation with emergency personnel and contacting the director if
possible.
EMERGENCY CONTACT NUMBERS - LIBRARY PERSONNEL*
*staff updated August 2009
(For home contact information see
print manual--DO NOT give out home numbers)
|
Mary Margaret Lowe, Library Director |
X8403 |
|
|
Susan H. Martin, Assistant Library Director |
X8407 |
|
|
Helen Beaven, Reference Librarian |
X8405 |
|
|
Greg Decker, Cataloging Librarian |
X8409 |
|
|
Ernie Heavin, Periodicals & ILL Manager |
X8413 |
|
|
Sara McClain, Circulation Supervisor |
X8404 |
|
|
Randall Myers, Circulation Supervisor |
X8406 |
|
|
Kyle Potter, Library Technician |
X8408 |
|
|
Michele Ruth, Acquisitions Manager |
X8412 |
|
|
Glen Taul (Archives) |
X8392 |
|
EMERGENCY PHONE NUMBERS
|
Ambulance -- Georgetown Police -- Fire
911 |
|
Campus Safety x8111 |
Facilities Management x8639 |
|
Kentucky Utilities 1-800-981-0600 |
Elevator |
Information:
Library is located on the corner of Mulberry
Street and College Street
Main phone number is: 502-863-8400
Table
of Contents
Top
of Page
POWER FAILURE EMERGENCIES
Important numbers: Campus Safety x8111 Facilities Management x8639
Immediate Steps:
1. Turn off and unplug computer workstations and terminals, as well as other
electrical equipment (photocopiers, microforms equipment, televisions, VCRs, fax
machines, etc.) in your area, even if the failure is only partial (brownout).
2. To report and for information on the power failure contact - weekdays 8:00
AM to 5:00 PM contact Facilities Management -- evenings and weekends contact
Campus Safety.
4. Kentucky Utilities can be contacted for information or to report dangerous
situations if the above contacts are not available.
Steps for the emergency contact person:
1. Contact appropriate office to report power failure and to determine its
source and probable duration.
2. Call Campus Safety to coordinate possible evacuation if an entire floor or
more of the library is dark.
3. If the power failure occurs during the day, use the intercom to advise
people in darkened areas to move close to windows where there is light or to
other areas of the building that are not darkened. If the power failure occurs
after dark, people in the building should be evacuated to Level 1 or outside the
building.
4. Assign someone to determine if anyone is in the elevators. If so, call the
elevator emergency number. Reassure the person(s) in the elevator(s) that the
problem is due to a power failure and that emergency assistance is on the way.
Make sure someone on the staff remains in verbal contact with any trapped
persons until help arrives. When you report the incident to the appropriate
office inform them that there are people trapped in the elevator.
5. Make sure that someone turns off electrical equipment. If no one is in the
department assign someone to do this throughout the building.
6. The decision to close the building should be based on the nature of the
emergency, consultation with emergency personnel and contacting the director if
possible.
7. File an incident report with the Director of the Library.
Table
of Contents
Top
of Page
WATER EMERGENCIES
Important numbers: Campus Safety x8111 Facilities Management x8639
Immediate Steps:
1. If water is falling on floor areas, position a trash basket or a container
underneath the falling water.
2. If water is falling on books, periodicals, furniture, equipment, etc.,
cover the affected area with plastic sheeting.
3. If water is seeping down walls or along floor areas report this to the
emergency contact person.
4. Report falling water emergencies and any steps you have taken to the
emergency contact person.
Steps for emergency contact person:
1. Gather as much information as possible from the person reporting the
emergency.
2. Go to the site to assess the emergency.
3. Position baskets/bins and/or plastic sheeting, if that needs to be done.
4. Call: weekdays 8:00 AM to 5:00 PM contact Facilities Management --
evenings and weekends contact Campus Safety.
5. If possible, put wet library materials on a book truck and remove them
from the area.
6. Mop or vacuum with wet/dry vac if floor areas are wet.
7. Secure the affected area from public access.
8. File and incident report with the Director of the Library.
Table
of Contents
Top
of Page
MEDICAL EMERGENCIES
Important numbers: Medical emergency 911
Campus Safety x8111
Library is located on the corner of Mulberry Street and
College Street.
Main phone number is: 502-863-8400
Immediate Steps:
1. If the emergency appears to be life threatening / serious, call 911.
2. If a sexual assault is reported - call 911 and Campus Safety.
3. Make the person as comfortable as possible; if the person is mobile, guide
him/her to a non-public area.
4. If there is bleeding, put on protective gloves before rendering any
assistance. Apply pressure with a cloth -- do not attempt to apply a
tourniquet, even if bleeding is profuse.
5. Do not administer any form of first aid if you are not trained and
competent to do so.
6. Try to make sure that someone stays with the injured/ill person.
7. Report the emergency and any steps you haven taken to the emergency
contact person.
8. Do not transport the person to a medical facility -- call 911 -- let
trained personnel do this.
Steps for emergency contact person:
1. If emergency is being reported by another person gather as much
information as possible from the person reporting an emergency -- if the injury
sounds serious call 911 immediately -- do not wait to access the problem.
2. Go to the injured/ill person to assess the emergency if possible -- if an
ambulance is necessary, call 911 (if not already called).
3. If sexual assault is reported, remember - please show sensitivity toward
the person. Take all reports of sexual assault seriously.
4. Call appropriate emergency number, if not already called.
5. Meet, or have someone prepared to meet emergency personnel when they
arrive and take them to the injured / ill person. Coordinate any
follow-up steps (e.g. notifying another person) with campus safety and emergency
personnel
7. File an incident report with the Director of the Library.
Table
of Contents
Top
of Page
WEATHER EMERGENCIES
Important numbers: Emergency 911 Campus Safety x8111
TORNADO AND SEVERE STORM WARNINGS
Immediate steps:
1. Retrieve flashlights and batteries and a battery-operated radio from the
supply area.
2. Take the master key from the key binder and evacuate patrons and staff to
the storage room in the basement. Librarians and Managers may have master key on
them.
3. Remain in the basement until a radio announcement or emergency contacts
declare it safe to emerge.
EARTHQUAKES
Immediate steps:
1. Evacuate staff and patrons to outside of the building, if not possible,
position people under supports such as doorways on the inside of the building
away from windows.
2. Remain outside until Campus Safety or emergency contacts declare it safe
to return to the building.
Steps for emergency contact person:
1. Try to keep people calm.
2. If a cellular phone is available call Campus Safety or 911 and let them
know where you are located in the building.
3. Watch for medical emergencies that may arise. Try to grab a first-aid kit
to have with you.
4. File an incident report with the Director of the Library.
Table
of Contents
Top
of Page
VANDALISM EMERGENCIES
Important numbers: Police 911 Campus Safety x8111
Immediate Steps:
1. Report any destruction, mutilation or defacement of library property
(other than torn pages) or property that is on library grounds to the emergency
contact person.
2. Do not confront any person who is observed vandalizing property, but be
prepared to describe or identify the person at a later time.
3. Call appropriate emergency number.
Steps for emergency contact person:
1. Gather as much information as possible from the person reporting the
emergency.
2. If a person has been observed vandalizing property, call Campus Safety.
3. If no person has been observed report the incident to the emergency
contact person.
4. If police or Campus Safety has been called, be prepared to direct them to
the site of the vandalism.
Table
of Contents
Top
of Page
PROBLEM PATRONS
Important numbers: Police 911 Campus Safety x8111
Immediate Steps:
1. Try to remain calm - do not meet aggression with aggression -- get the
Librarian or Manager on duty.
2. Do not confront any person who appears to be exhibiting unusual and/or
violent behavior -- call appropriate emergency number.
3. If you feel you are being threatened, you probably are; or if you feel
uncomfortable with a situation -- get the Librarian or Manager on duty.
Steps for emergency contact person:
1. Gather as much information as possible from the person reporting the
emergency.
2. Confront the person directly only if necessary -- call Police or Campus
Safety.
3. Be prepared to give a description of the person -- look for distinguishing
characteristics, try to see where the person goes if they leave the person, if
they get in a car, try to get the license number.
4. If police or Campus Safety has been called, be prepared to direct them to
the person if they are still in the building.
Table
of Contents
Top
of Page
FIRE EMERGENCIES
Important numbers: Fire 911 Campus Safety x8111
Immediate Steps:
1. If you observe flames, smoke or a burning smell that is NOT confined to a
small, controllable area (e.g. trash basket) pulls the nearest fire alarm.
2. If the fire is in a small, controllable area, use a fire extinguisher to
put out the fire. Fire extinguishers are located ---- . Instructions for use are
printed on the fire extinguishers.
3. Report any fire and all steps you have taken to Emergency Contact person.
Steps for emergency contact person:
1. If the emergency is being reported to you gather as much information as
possible from the person reporting the emergency.
2. If possible -- go to the site to assess the emergency, unless
flames or smoke are too severe.
3. If the fire is severe and cannot be contained:
- pull nearest fire alarm -- Call 911
- initiate evacuation of the building
- contact Campus Safety
- make sure no one is in the elevator.
4. If an alarm has sounded and you have determined that there is no fire,
smoke, or burning smell - coordinate a walk-through of the building to search
for fire/smoke/burning smell or an alarm that has been pulled, and call Campus
Safety.
7. If 911 have been called or alarm pulled, be prepared to direct fire
department personnel to the site of the fire.
8. If fire is small (i.e. trash can) try to extinguish with fire
extinguisher. Call Campus Safety, assess whether Fire Dept. needs to be called.
9. If fire is small and contained in wall or equipment try to extinguish.
Call 911 so Fire Dept. can determine if fire is still a danger.
It is best to report all fires to the Fire Department even if they are out.
If books or paper materials are on fire do not attempt to isolate by removing
other materials -- Call 911.
Table
of Contents
Top
of Page
BOMB THREAT EMERGENCIES
Important numbers: Emergency 911 Campus Safety x8111
Immediate Steps:
1. If you receive a call in which someone is making a bomb threat, try to
keep the caller talking as long as possible. Ask questions concerning the
location of the bomb, when it is going to go off, what it looks like, who put it
in the building, why it was put in the building, etc. Try to keep the person
talking…
2. If possible, direct another person to notify the emergency contact person
while the caller is still on the line. If that is not possible, notify the
emergency contact person as soon as the call has ended. Be prepared to describe
the caller’s voice (sex, age, distinguishing characteristics of speech, etc.)
and to convey any information the caller has given you.
3. Report any suspicious objects or noises to the emergency contact person.
4. Take bomb threats seriously!!
Steps for emergency contact person:
1. Gather as much information as possible from the person reporting the
emergency.
2. If the caller is still on the line, talk to the person and ask questions
about the bomb (where it is, when it will go off, who put it in the building,
why it was put in the building, etc.). Take note of the callers voice
characteristics and be prepared to convey this information to police.
3. Call 911 and Campus Safety.
4. Coordinate evacuation of building with Campus Safety.
5. File an incident report with the Director of the Library.
Table
of Contents
Top
of Page
REQUEST FOR PATRON / LIBRARY RECORDS / INFORMATION
Important numbers: See the Emergency contact list (p. 6).
Immediate Steps:
1. Refer to the policies below that have been established for the library and
the Library’s Confidentiality of Library
Records Policy available on the Library’s home page.
2. Do not release patron information or records to anyone but the patron or
an official of Georgetown College that has been authorized.
3. Find the Librarian or Supervisor on duty.
POLICIES
1. All library records and other information relating to an individual's use
of the library and its resources are considered confidential and will not be
divulged to any third party.
2. These records include, but are not limited to, circulation records of
library materials, address and other registration information, reference or
informational questions asked, interlibrary loan transactions, and computer
database searches.
3. This information may be consulted and used by library staff in the course
of carrying out library operations.
4. Access to this information will be restricted to authorized personnel
within the Library and College for authorized reasons, as determined by the
Library Director.
5. The library will release an individual's library information only to that
individual, to another individual with the prior written consent of the
individual concerned or under a duly authorized judicial process. The individual
requesting the information must provide proof of identity.
6. All requests for information that do not fall under the above policies
shall be forwarded to the Library Director.
Steps for emergency contact person:
1. Refer to the library’s policy.
2. Contact the director if the action is not clear to you.
3. Report any request for patron / library records to the director.
Table
of Contents
Top
of Page
PA Announcement Scripts
For evacuation of building …
There is [nature of emergency] please evacuate the building immediately. Do
not use the elevator - use the stairs.
For evacuation to the storage room…
There has been a [tornado, severe storm, etc.] alert. Please come to the
Lower Level of the library to take shelter in the storage room. Do not use the
elevator - use the stairs.
Code to request immediate help at Circulation desk…
[Coming soon.]
[Repeat the message. Same code can be used for another area.]
Table
of Contents
Top
of Page
FLOOR PLAN -- LOCATION OF FIRE EXTINGUISHERS AND EMERGENCY EXITS, ETC.
[Intentionally blank, to be added.]
Table
of Contents
Top
of Page
PART II
SPECIFIC MATERIALS DAMAGE DOCUMENTS
PART II - CONTENTS
Appendix: Resources for Preparing Disaster Plans
Preface
This section of the Ensor Learning
Resource Center's Emergency Disaster Preparedness Document would not have been
possible without the resources and work done by various committees and
institutions from within and without the library community that have already
created documents and instructions for the recovery of specific materials and
formats. We owe a great debt to the Disaster Mitigation Planning Assistance Web
Site, a joint project of Michigan State University Libraries and the Center for
Great Lakes Culture (URL: http://disaster.lib.msu.edu/ ) and the Smithsonian
Institution Archives (URL: http://www.si.edu/archives/report/disaster/ ) among
others. More resources are listed in the Appendix: Resources for Preparing
Disaster Plans. The above sites and resources have saved the members of the
ELRC's Disaster Preparedness Committee much time in not having to recreate the
wheel and preparing these documents all over again. Any rights to access and
reproduction of materials are the sole property of those sites.
Table
of Contents
Top
of Page
RECOVERY METHODS BY FORMAT
BOOKS
Water Damage
There are five ways to dry wet books and paper records. It is important to
remember that no drying method restores materials. They will never be in better
condition than the one they are in when drying begins. If time must be taken to
make critical decisions, books and records should be frozen to reduce physical
distortion and biological contamination.
1. Air Drying
Air-drying is the oldest and most common method of dealing with wet books. It
is most suitable for small numbers of damp or slightly wet books and documents.
It is seen as inexpensive, but is extremely labor intensive and can occupy a
great deal of space and result in badly distorted bindings. It is seldom
successful for drying bound coated paper.
If materials are not completely soaking wet, and the decision is to air-dry
materials, then use the following procedures:
a. Load materials onto book trucks or pack into plastic milk crates
1) Handle one item at a time.
2) Use both hands whenever possible.
3) Pick up or remove items so that other items are not damaged.
Do not press water out of a wet item. If a book is soaking wet, its
condition will be
So fragile that it should only be handled enough to put it in a carton
5) Do not stack-wet books when packing them in cartons. The weight may
damage the ones on the bottom. Instead, place them in an upright position,
or only if absolutely necessary, spine down.
6) If possible, as each carton or book truck is packed the call numbers
of the first and last book should be noted on the carton/truck. Tags of
masking tape can be used to label the carton or trucks.
b. Prepare drying area
1) Select an area for drying materials. Preferred areas should have large
amounts of available table space. Floors in hallways, etc., may also be used for
drying books.
2) Bring in dehumidifiers, place in strategic (and out of the way) locations
and turn up to high. Designate a person to check and empty dehumidifiers.
3) If possible, lower temperature to its coolest setting without causing
extremes.
4) Bring in fans and place them in strategic (and out of the way) locations.
Use appropriate speed (usually low or moderate) for moving air over materials
for maximum drying.
5) Arrange drying tables for convenient drying and access to library
materials. Cover tables with plastic sheeting, then with paper to absorb water.
Change paper regularly. (Otherwise the books will reabsorb the water.)
6) If the air-drying area is a self-contained and full of book, fumigating
the entire room may be considered, if necessary.
c. Move books
When milk crates and book trucks arrive at the drying site(s) the
following are recommended:
Lift materials carefully and place on tables and/or on floors.
Keep related materials together, whenever possible.
Place books with firm bindings on their tail or head edges and open
them so the leaves fan and evaporation can begin.
Place soft cover items with spines down and open them in the middle.
For items, which can "stand alone" without much sagging, turn
leaves systematically to accelerate drying.
If water drains away from very wet items, mop up excess water.
Table
of Contents
Top
of Page
2. DEHUMIDIFICATION
This method has been used for many years to dry out buildings and holds of
ships. Large commercial dehumidifiers are brought to the facility with all
collections and equipment left in place. Temperature and humidity can be
carefully controlled to user specifications. The technique is successful as long
as the process is initiated before swelling and adhesion has taken place. This
method has the advantage of leaving the materials in place on the shelves,
eliminating the costly step of removal.
3. FREEZER DRYING
Books and records that are only damp may be dried successfully in a
self-defrosting blast freezer if left there long enough. Materials should be
placed in the freezer as soon as possible after water damage. Books will dry
best if their bindings are supported firmly to inhibit initial swelling.
Freezing must happen quickly and temperatures must be below -10 to -40 degrees
Fahrenheit to reduce distortion. Expect this method to take from several weeks
to several months. Coated paper may adhere with this method.
4. VACUUM THERMAL DRYING
Books and records may be dried in a vacuum thermal-drying chamber. The vacuum
is drawn, heat is introduced and the materials are dried above 32 degrees
Fahrenheit. This means that the materials stay wet while they dry. Thus, books
often distort, but loose papers can be dried more successfully.
5. VACUUM FREEZE DRYING
Frozen or wet materials are dried at temperatures below 32 degrees
Fahrenheit, thus eliminating further distortion. The physical process known as
sublimation takes place; that is, ice crystals vaporize without melting. Rare
and unique materials can be dried successfully, but leathers and vellums may not
survive. Although this method is more costly, there are reduced costs of
rebinding and mud or soot is lifted to the surface, making cleaning less
time-consuming.
If materials are soaking, dripping wet, they cannot be air-dried
successfully. Freeze instead.
If the decision is to freeze-dry library materials, the options are:
a. Ship immediately to freeze-dry facilities.
b. Transport materials to local freezers.
c. Rent refrigerated trucks to transport materials to temporary freezer
storage facilities.
d. Leave materials where they are and have the freeze-dry company carry
them out.
If materials are packed for freeze-drying, use the following procedures:
Follow all procedures listed above for air-drying to the point of
packing items for transport.
Wrap individual items in freezer paper, shiny side toward books, before
placing in plastic milk crates.
Table
of Contents
Top
of Page
FIRE DAMAGE
If there is fire damage, the odor is reduced by freezing the books. There are
special sponges for cleaning soot-damaged materials.
MOLD
To combat mold, DON’T ALLOW IT TO DEVELOP! Maintain moderate temperature
and humidity (70 – 72 degrees Fahrenheit and 55% or lower rh). Circulate air
and dust regularly.
If mold is discovered, check to see if it is active (soft, fuzzy, smears
easily) or dormant (powdery, easy to wipe). If it is active and affects only a
single book, consider withdrawing the book from the collection. If it is
dormant, do the following:
For wet material:
Air dry or freeze, or
Brush off spores working outdoors and (if possible) with a fan
blowing the spores away.
For dry material:
Brush off spores working outdoors and (if possible) with a fan
blowing the spores away, or vacuum using a triple action filtration
vacuum.
Fumigation is no longer recommended for mold because fumigants are toxic to
people, the residue remains on the object, and fumigation does not prevent the
mold from returning.
Always wear gloves and, if possible, coveralls or a lab coat. Wash hands
after handling any object with mold or suspected to have mold.
If mold is discovered in large portions of the collection, do not attempt to
clean up without FIRST consulting a mycologist to determine if toxic molds are
present.
Before books are returned to the shelves, the shelves should be disinfected
and the mold situation monitored for a period of time.
Supplies:
Dehumidifiers
Fans
Plastic Sheeting
Paper, plain (unprinted) newsprint or absorbent paper towels
Freezer Paper
Milk Crates or Cartons
Book Trucks
Labeling Supplies: masking tape, waterproof felt-tip pens
Rubber Gloves
Sponges for cleaning soot
Disinfectant for cleaning shelves
Table
of Contents
Top
of Page
MANUSCRIPT AND RARE BOOK MATERIALS
Estimating Water Absorption
Manuscripts and books dated earlier than 1840 will absorb water to an average
of 80 percent of their original weight. Some may absorb as much as 200% of their
original weight. Since there is a greater concentration of proteinaceous
materials receptive to water in such early books and papers, they are especially
vulnerable to mold when damp. Modern books, other than those with the most
brittle paper, will absorb an average of up to 60% of their original weight.
The major part of all damage to bound volumes caused by swelling from the
effects of water will take place within the first four hours or so after they
have been immersed. Since the paper in the text block and the cardboard cores of
book bindings have a greater capacity for swelling than the covering materials
used for the bindings, the text block of a soaked book usually expands so much
that the spine assumes a concave shape and the fore-edge a convex shape, thus
forcing the text block to become partially or completely detached from its
binding. The board cores of bindings absorb a great amount of water in such
circumstances and are usually the source of mold development between the board
papers and fly leaves.
Leather and vellum books especially those of the 15th. 16th,
and 17th centuries, can usually be restored successfully if they are
dried under very carefully controlled procedures. Such materials are usually
classified as rare and should be treated accordingly by not mixing them with
less rare materials during preparations for salvage, stabilization and drying.
The advice of a certified book conservator may be essential in order to safely
carry out the most appropriate methods. If the material is frozen, freezer paper
should be used between each volume to prevent sticking.
Do not wash the following categories of items:
× Open or swollen volumes
× Vellum or parchment bindings or pages
× Leather bindings
× Fragile or brittle materials
× Materials with water soluble components (freeze
these immediately)
Manuscripts
Manuscripts and other materials in single sheets create particularly
difficult problems if they have been scattered. An indication of the approximate
location in which they are found during the salvage operation may be extremely
helpful at a later date. Materials should never be moved from the site in large
batches or left piled on top of each other, either at the site or in adjacent
temporary housing, since the excessive weight of water-affected books and paper
records can lead to severe physical damage.
Archival Box Files
Archival box files fare better than book material because their boxes are
made of porous board stock that can be expected to absorb most of the water,
protecting the contents. Each box should be carefully inspected and the box
replaced if it is water saturated. Failure to do so will increase the risk of
physical damage as boxes collapse form pressure during recovery, shipment and
cold storage. Papers that are adhered together should be frozen. Often the
freeze-drying will allow the papers to be separated without damage.
Coated Papers
Coated papers are the most vulnerable to complete loss and should not be
permitted to begin drying until each volume can be dealt with under carefully
controlled conditions. The period between removal and freezing is critical. It
may be necessary to re-wet them with clean cold water until they can be frozen.
Coated papers must be separated immediately to prevent blocking. If sheets can
be separated, they can usually be air dried successfully with some cockling.
Cockled pages can be photocopied to retain intellectual content if the original
does not need to be kept.
Manuscripts, Documents and Small Drawings
Freeze or dry within 48 hours. Don’t separate single sheets. Interleave
between folders and pack in milk crates or cartons. Air, vacuum, or freeze-dry.
Air dry flat in small piles (1/2 inch) or individually if possible. Change
blotting material beneath the materials before it becomes soaked.
Table
of Contents
Top
of Page
Vellum, Parchment, Leather
Handle wet vellum, parchment and leather very carefully. Always use a support
such as cardboard to handle this material. Do not open or close. Do not separate
covers.
Wet vellum, parchment and leather should be air-dried where possible. A
combination of tension and pressure drying may be required to dry this material
successfully. Slow and gentle blotting of saturated areas can enhance drying.
Where freezing is necessary, vellum, parchment and leather items should be
separated with freezer paper during packing.
Criteria for High-Priority Water Damage Prevention
× High Value, Historic, Monetary
× Irreplaceable, Manuscript or Autograph
Materials
× Fragile Materials (difficult or impossible to
recover)—Vellum covers, leaves of documents, books with covers that have
"red-dot" and other significantly deteriorated leather (leathers after
1820), coated paper stocks (i.e. art books, glossy magazines or books with
photographic reproductions from 1890 to 1950 particularly).
Sources Consulted:
National Archives and Records Administration
Library of Congress
Fire Damage
× Fire damaged books should be handled as little
as possible during the retrieval and recovery process
× All fire damaged material should be assumed to
be fragile and handled as little as possible prior to treatment
× Wrap fire damaged books in clean unprinted
paper or freezer paper and place between cardboard sheets for protection.
Clearly label all packages
× Burned and wet books should be frozen for later
treatment
Mold
× Do not wipe mold from wet (or dry) books
× Wet moldy books should be frozen, then vacuum
freeze dried and fumigated before cleaning
× People with a history of allergies and
respiratory illness should not handle or clean moldy items
Table
of Contents
Top
of Page
Supplies:
(This list is for supplies that are to be used specifically for archival
collections which includes rare books and manuscripts)
milk crates or cartons
white blotters (free of dyes)
flat boxes or covered plywood
freezer paper
silica gel
Polyethylene bags and/or sheeting
Dehumidifier
vacuum fitted with a HEPA filter
thermohygrograph or sling psychrometer
labels for milk crates
waterproof/grounded heavy-duty extension cords
absorbent paper towels or plain newsprint paper
plastic sheeting rolls of 3-5 mil thick plastic
recording supplies (including pad of paper, index cards, pens and water proof
felt-tip pens)
crepe bandages for wrapping vellum books
Table
of Contents
Top
of Page
ELECTRONIC AND MAGNETIC RESOURCES
The best disaster preparation for electronic and magnetic media is BACKUP the
data contained on these media. Backups depend on your local hardware and
software configurations. With electronic media it is crucial that you try and be
prepared for a failure, not if it will happen but when it will happen.
Suggestions
· If you are connected on a network, become familiar with the network’s
backup procedures. Many systems do daily backups and also have drive areas where
you can do additional backups.
· If you are a stand-alone, you should back up important data frequently.
Familiarize yourself with your operating system’s backup software.
· Do not keep your backups in the same place as your computer. Store them
off site.
· Know your vendor contractual agreements! Who is responsible for corrupt
and lost data, which backs up tape data, etc.
· Realize that all equipment has a life span. Try and project when disks
will fail. Read your warranties and manuals. Look at consumer ratings and tests.
· Someone in your organizational structure at various levels should have
responsibility for systems and computer procedures.
· Training. Users should be trained in backup and disaster potentials and
how your institution or department deals with them.
Disaster Potentials
The following may occur alone or in combination:
· Water - intrusion of water or other liquids into areas or equipment.
· Fire - combustible or electric.
· Infrastructure outages - power outages, drops, surges, utility outages,
telecommunications failure, corrupt data, etc.
· Hardware and software failures - numerous, hard to foresee; loss of
gateway access, heat, magnetic destruction, hard disk failure, wear of
equipment, etc.
· Sabotage by hackers, employees, users of systems, viruses, vandalism, etc.
· Accidental destruction of hardware, software, or data.
Table
of Contents
Top
of Page
FORMATS AND TYPES OF DAMAGE
Electronic and magnetic media is an area of development where formats are
being upgraded and changed continuously. The special handling instructions
listed below for this material reflect current thinking. During emergencies
involving this material, care should be taken to ensure actions reflect
technological change and treatments that are appropriate.
In General:
· Vacuum cleaners and other equipment with electric motors should not be
used near magnetic media. Long suction hoses can be used to keep vacuum cleaners
clear of this material.
· Chemical or abrasive cleaners should not be used.
· Hair dryers or other such equipment should not be used to dry these media.
Water / Mildew / Soot / Smoke / Mold
Magnetic Media
· Wear gloves when handling.
· Avoid scratching the surface.
· Clean drive heads frequently.
· Do not use cleaners or hair dryers on these materials.
· Water is especially damaging to magnetic tape - the longer the
exposure to water the greater the damage. Tape should be stored in
watertight containers.
· Backup frequently.
· Success rates for salvaging tape are low and the process is very labor
intensive. The possibility also exists of improperly handled tape damaging
playback heads.
· Recommendation is to have these materials processed professionally.
Hard Disks
· Hard disks may not be able to be salvaged depending on the nature of the
damage. Recovering data from a hard disk may require the use of the expertise
that may be available to you via your institution’s computer systems office
or a private company.
· Backup frequently.
Tapes
· The casing may protect the tape. If the tape is damaged remove from
the case.
· Rinse in lukewarm water - leave wound on the reel.
· Place on blotting material to dry.
· Insert back in case - make a new copy.
· Do not use cleaners or hair dryer (air dry).
Diskettes
· Remove diskette from the case and bathe in distilled water.
· Dispose of the old casing.
· Dry with a lint-free cloth.
· Insert back in a new case (a case from an old disk is fine, just as
long as it is dry) - make a new copy
· Do not use cleaners or hair dryer (air dry).
Table
of Contents
Top
of Page
Compact Disks
· Handle disks by the outer edges.
· On recorded side (no writing), working from the center of the disk in
a straight line, wipe off
with a soft, dry cloth (lint-free is preferable).
· Use distilled water if available.
· Do not use cleaners or hair dryer (air dry).
Heat and Fire
· Heat and fire are extremely damaging to electronic media.
· Assess the damage. If it is determined that the damage is not severe,
follow the instructions above for Water... damage.
· If damage is assessed as serious, no backups exist, and data is
important, a conservator or other professional should be consulted.
Table
of Contents
Top
of Page
Electronic Disaster Resources:
In-house resources you may already have access to, or can purchase
reasonably.
Programs already on your computer that can be used to help recover files,
Directories, etc.
Examples: Backup - Diagnostics - Recycle bin - System information -
Undelete.
Rescue Professional Computer File: Data Recovery Software. AllMicro, Inc.,
Clearwater, Florida. Recover lost data from physically damaged floppies and hard
disks
LAN/WAN Systems. It is best to consult the person responsible for maintaining
your Local Area or Wide Area Network.
Your organization/institution’s computer services/systems department.
Books:
Neaga, Gregor.
Fire in the computer room, what now?: Disaster recovery: preparing for
business survival.
New Jersey: Prentice Hall, 1997.
ISBN: 0-13-754391-3
Toiga, Jon.
Disaster recovery planning: for computers and communication resources.
New York: John Wiley and Sons, 1996.
ISBN: 0-471-12175-4
Table
of Contents
Top
of Page
Websites for companies & software dealing with electronic disaster
planning & recovery:
Advanced Software Products Group
Providing software for capacity planning, storage administration, storage
management, RACF, disaster recovery and Year 2000.
http://www.aspg.com
Business Protection Systems
Disaster recovery and business continuity planning software.
http://www.businessprotection.com
Caroline Pratt and Associates, Inc. (CPAI)
(CPAI) is a full service Emergency Preparedness, Business Recovery, and Life
Safety Consulting Company with over 36 years of experience in emergency
preparedness, emergency management and response. CPAI associates and instructors
are highly skilled and experienced in the fields of emergency management,
disaster response and recovery planning and training, life safety, emergency
medical.
http://www.cpratt.com
CBL Data Recovery Technologies Inc - What We Offer
CBL Data Recovery Technologies are world renowned experts at recovering data
lost due to file corruption, mechanical or electrical failure, virus activity,
and system malfunctions.
http://www.cbltech.net/services.html
Disaster Recovery Yellow Pages
Tips on preparing your Disaster and Business Continuity Plan If you need to
find a product or service pertaining to any aspect of disaster planning and
recovery, please click on one of the categories below, or simply use our search
engine. Section VI Alphabetic Listings Search Instructions: First, select
whether you want to search for a product or service firm by Area Code, Company
Name, or.
http://www.disasterplan.com/yellowpages
Disktek Data Recovery - Disaster Services - 1(888)839-0949
Disktek are world-renowned experts at recovering data lost due to file
corruption, mechanical or electrical failure, virus activity, system
malfunctions, accidental erasure.
http://www.disktek.com/disaster.html
Seagate Software
Planning, backup, data recovery and other computer management software.
http://www.seagate.com
http://www.seagatesoftware.com
Strohl Systems Group, Inc.
Business continuity software and services. Authors of LDRPS, disaster
recovery planning system and BIA Professional, business impact analysis
software.
http://www.strohl-systems.com
Symantec Corporation
Wide range of planning, backup, and recovery software for various formats.
Norton Utilities, etc.
175 West Broadway
Eugene, OR 97401
Phone: 1-800-441-7234
http://www.symantec.com/us.index.html
Table
of Contents
Top
of Page
Companies:
Blue Lightning Computers, Inc.
Phone: 301-513-9026
E-mail: info@blcc.com
URL: http://www.blcc.com
Services: Computer repair, data recovery, web page design, web server, and
custom programming, technical assistance.
Data Recovery of Richmond
1601 Ware Bottoms Spring Road
Suites 207-208
Chester, VA 23831
Phone: 1-888-843-9562
URL: http://www.datalost.com
Services: emergency data recovery of all operating systems and media.
Area: Delaware, Maryland, North Carolina, Virginia, and West Virginia.
MC Computers - Computer Dr
P.O. Box 247
Burtonsville, MD 20866
Phone: 301-906-2489
E-mail: COMPUTERDR@prodigy.com
URL: http://www.computerdr.com
Services: On-site service, computer sales, upgrades, repairs, parts,
trouble-shooting, data recovery, web site development, training.
Area: Maryland, Virginia, and D.C.
Table
of Contents
Top
of Page
MAGNETIC MEDIA/FILM, OPTICAL DISCS, VIDEOS
Magnetic tape used in videos is similar in chemical composition to motion
picture film and to microfilm; therefore, salvage methods are similar as well.
Optical disc recovery efforts are similar to those used for magnetic tapes.
Priorities: Unique items or non-commercial tapes and films should be ranked
first for recovery. Older tapes/film should be treated before new tapes/film.
Commercial and non-unique tapes/film should be replaced if they are water
damaged.
Water Damage
· Do not allow tape to dry out.
Any sediment in the contaminating water will dry onto the tape and be more
difficult to remove.
· Rinse with distilled water at room temperature.
In a water disaster, videos and films can be immersed in water for several
days if the water is clean.
· If water is muddy or sewage contaminated, use soapy water at room
temperature to remove debris.
× Use just enough of a mild detergent (dish
washing liquid that is dye free and perfume free is OK) that is required to
remove any oils or greases from the tapes. When wiping debris from an optical
disc, wipe from the center of the disk to the edge (NOT around the disk in a
circular motion).
· Dry using air-drying, dehumidification or vacuum drying.
Do not use freezer drying, vacuum thermal drying, or vacuum freeze-drying.
Freezing of tapes can actually cause more damage. When drying an optical disc,
take care not to scratch the media with a towel.
· If a cassette has been exposed to water for an extended period of time, it
may be necessary to open the cassette and check the condition of the cassette
spindles and springs. If they show evidence of corrosion or rusting, they should
be replaced.
· When all tapes and containers are dry, have the tapes cleaned
professionally or use a special tape-cleaning machine.
Mold
Mold is attracted to magnetic tape-based materials and videotapes.
Professional tape restoration firms to prevent loss of image, sound or
information should remove mold.
· Properly equip recovery personnel with gloves, eye protection,
dust/solvent mask with a HEPA filter, and a protective smock or lab coat.
Inhalation of mold spores and bodies can be a significant health risk.
· Isolate the tape from unaffected tapes.
· Keep at a humidity <50% RH and a temp < 75 F
· Vacuum the mold from the tape pack or disk, avoiding direct contact. The
vacuum should be fitted with a HEPA filter.
· Brush the remaining debris from the tape pack or disk.
Table
of Contents
Top
of Page
Fire Damage
· Tapes that have experienced heat or fire damage can be re-spooled onto new
tape reels if the old reels have warped or charred. Tapes in cassettes may need
to be transferred to a new cassette if the cassette shell has warped.
· If the tape is "blocked" (the binder coating melted and the tape
winds are stuck together), there is no way to recover the tape unless it has
been backed up on another tape in another location.
· A slightly warped CD may still be playable, but the recovery of a severely
warped CD may not be possible.
Shock
· For mild shock, re-tension the tape pack and re-spool to correct any
shifts in the tape pack wind.
· If the tape reel or cassette has been damaged, the broken pieces should be
replaced.
· In more severe forms of shock, re-splicing of the tape may be required.
· A shattered CD cannot be repaired.
Particulate Matter (Soot, Dust)
· Soot or dust can be vacuumed from tapes, cassettes, or disks. Avoid
contact with the material as much as possible.
· Soot or dust, which cannot be removed by vacuuming, can be wiped off with
a lint-free cloth dampened with distilled water. Avoid getting the tape wet if
it is not already wet.
Magnetism
· A tape that has been demagnetized inadvertently cannot generally be
recovered with a commercial recorder. A special recorder capable of reading
information from a tape with a significantly signal-to-noise ratio would be
required.
· Stray magnetism is not a problem for compact discs.
SUPPLIES NEEDED:
Dehumidifier
Distilled water
Dust/solvent mask
Eye protection
Gloves
Lab coat
Lint-free cotton cloth
Mild detergent
Vacuum (with HEPA filter)
Table
of Contents
Top
of Page
CLEANING AND RESTORATION FIRMS:
Audio Mechanics (music and sound restoration)
Chace Preservation Services (sound and audio restoration)
NBD International, Inc. (water- and smoke-damage recover of videotape)
On track Data Recovery (magnetic media, computer tapes, hard drives and
diskettes)
Sound Studios (sound restorations, classical music archives)
TekMedia (services and supplies for AV materials, particularly video)
VidiPax (video, magnetic media, some film)
EXPERTS:
Association for Recorded Sound Collections, Box 543, Annapolis, MD 21404-0543
phone (410) 757-0488
Gilles St. Laurent, Audio Conservator, National Library of Canada, 395
Wellington Street, Ottawa, Canada K1A 0N4 phone (613) 996-5423
National Center for Film and Video Preservation at the American Film
Institute
2021 North Western Avenue, Los Angles, CA 90027 phone (213) 856-7637
National Media Laboratory, Box 33015, St. Paul, MN 55133-3015 phone (612)
733-7637
BIBLIOGRAPHY:
Kahn, Miriam B. Disaster Response and Planning for Libraries, Chicago:
American Library Association, 1998
Van Bogart, John W. C. "Recovery of Damaged Magnetic Tape and Optical
Disc Media", presented at Emergency Preparedness and Disaster Recovery
of Audio, Film, and Video Materials, A Library of Congress Symposium –
September 21, 1995.
Table
of Contents
Top
of Page
PHONOGRAPH RECORDS
Not much can be done to save fire or water-damaged records and LPs. The heat
from the fire will melt the plastic quickly, and prolonged exposure to water
will warp the records beyond repair. To a large extent, these materials are
considered NOT SALVAGEABLE. However, undamaged records with surface dirt can be
carefully cleaned. Cleaning is best when performed by a sound conservator.
CAUTION: Always handle phonograph records by the edges and wear white cotton
gloves to avoid fingerprints.
Particulate Matter (Soot, Dust, Dirt)
Wash records in a 1% non-ionic wetting agent in distilled water. Recommended
are Kodak Photoflo solution or Lissapol TN450.
Use a clean soft brush to carefully remove dirt.
Keep vinyl, shellac, and acetate discs out of contact with water if at all
possible, because they are very susceptible to damage from water. Do not attempt
to wash these, but save for a conservator.
Wash the record with distilled water and set in a rack vertically to air dry,
away from strong heat sources (high heat can warp records).
Supplies needed:
Soft brush
Clean distilled water
Vertical drying rack (i.e. dish rack)
Rubber gloves
Table
of Contents
Top
of Page
PHOTOGRAPHS, SLIDES, FILMS, MICROFORMS
Emergency Salvage of Photographs
Because of the number of photographic processes and their wide variety,
responsible advice for the emergency salvage of wet photographs is difficult to
provide.
Minimize immersion time - photographs need to be dried as soon as possible or
frozen.
Problems occurring from immersion - images separate from mounts, emulsions
can dissolve away or stick together, staining can occur. Mold begins to grow
within 48 hours at 60%RH and 70F. Mold causes permanent staining.
Prints should be salvaged first: exceptions include deteriorated nitrate and
safety films.
These are extremely susceptible to water damage.
Processes that should be salvaged first: ambrotypes, tintypes, collodion wet
plate negatives, gelatin dry plate negatives, lantern slides, deteriorated
nitrate or safety films, autochromes, carbonprints, woodbury types, deteriorated
or unhardened gelatin print, color materials. These will not survive any
immersion.
Processes more stable in water: Daguerreotypes, salted paper prints, albumen
prints, collodion prints, platinum prints, cyanotypes.
Air Drying Photographs
Separate photographs - if photos are stuck together, freeze (see below).
Drain off excess water.
Place face up on absorbent material (paper towels).
Curled photographs can be flattened later.
To Freeze Photographs
Place photographs in small plastic bags, several to a bag.
Interweave photographs with non-woven polyester material or wax paper (makes
it easier to separate).
Drying Frozen Photographs
Thaw, then air dry - as a group of photos dries, peel apart, place face up on
absorbent material.
Vacuum thermal drying (frozen material is thawed and dried in a vacuum) is
not recommended for photographs. Gelatin photographs will have a tendency to
severely mottle and stick together.
Photographs can be vacuum freeze dried (no thawing occurs). Gelatin
photographs may mottle but won’t stick together.
Wet collodion glass plates must never be freeze dried, they won’t survive.
Also true for ambrotypes, collodion lantern slides and tintypes.
Dried or frozen photographs are reasonably stable. They can be stored until a
conservator can be consulted.
Table
of Contents
Top
of Page
Emergency Salvage for Slides
Slides should be rinsed and dipped in "photo-flo" slide cleaner and
air dried by hanging on a line or propped on edge.
Slides should be removed from frame for drying, then remounted.
Slides mounted between glass must be removed from the glass or they won’t
dry.
Salvaging Wet Motion Pictures
If only outside of container is wet, dry and relabel.
If the film is wet, fill the can with cold water and replace the lid. Pack
into plastic pails filled with cold water or cardboard box lined with garbage
bags. Ship to film processor for rewashing and drying.
Salvaging Microforms
If the microfilm is still boxed, do not remove from box. Rubberband boxes,
wrap five cartons of film into a block with plastic wrap. Pack the blocks into a
heavy-duty cardboard box lined with three garbage bags; tie each bag separately.
Ship to microfilm processor.
Pack and Freeze: Aperture cards, microfilm strips in jackets, diazo
microfiche.
Drying
Aperture cards - remove film chips from mounts. Wash chips and dry them
binder side up on absorbent material. Remount.
Microfilm strips in jackets - cut the strips from the jackets. Wash and dry
the film and insert new jacket.
Diazo and vesicular microfiche - remove from enclosures. Inspect diazo films
for blistering and delamination. If damaged, replace. Wash all damaged
microfiche in cool clear water. Dry on absorbent material or hang dry on line.
Information provided by Northeast Document Conservation Center, Andover,
Massachusetts 01810-1494 508-470-1010
List of vendors:
Cinema Arts, Inc.
P.O. Box 70
South Sterling, PA 18460
717/676-4145
Repairs and duplicates all types of motion picture film.
Film Treat
42-44 Orchard Street - 4th Floor
Long Island City, NY 11101
718/784-4040
Restoration of motion picture film.
Document Reprocesses
5611 Water Street
Middlesex, NY 14507
716/554-4500
Vacuum drying, cleaning, re-spooling and duplication of videotape.
Smolian Sound Preservation Studios
1 Wormans Mill Court #4
Frederick, MD 21701
301/694-5134
Restores most types of audio media.
Vidi Pax
420 West 31st Street
New York, NY 10001
800/653-8434
Recovery of videotapes from fire and water damage.
WRS Film & Video Labs
1937 North Birchwood
Cherry Hill, NJ 08003
609/424-1336
Processes, transfers and restores all types of film, video and CD-ROMs.
Table
of Contents
Top
of Page
Bibliography of Photograph Preservation:
Eastman Kodak Company: Conservation of Photographs. Rochester, NY,
Eastman Kodak Co., 1985.
Ellis, Margaret Holben. The Care of Prints and Drawings. AASLH Press,
Nashville, TN, 1987.
Henderson, Kathryn Luther, and Henderson, William T. Conserving and
Preserving Materials in Non-book Formats. University of IL,
Urbana-Champaign, IL 1991.
Hendricks, Klaus B., and Lesser, Brian. Disaster Preparedness and
Recovery: Photographic Materials. American Archivist, v. 46 no. 1
(Winter 1983), pp. 52-68.
Smithsonian Institution. Photographic Negatives in the Juley Collection:
Their Care and Preservation. Slide/Tape program, approximately 30 minutes
long.
Swan, Alice. Conservation of Photographic Print Collections. Library
Trends, v. 30, no. 2 (Fall 1981), pp. 267-296.
Weinstein, Robert A., and Booth, Larry. Collection, Use and Care of
Historical Photographs, AASLH, Nashville, TN 1977.
Wilhelm, Henry. The Permanence and Care of Color Photographs: Traditional
and Digital Color Prints, Color Negatives, Slides and Motion Pictures.
Preservation Publishing Company, Grinnell, Iowa, 1993
Information on the Internet:
Conservation OnLine - http://palimpsest.stanford.edu
National Archives - http://nara.gov/
National Media Lab - http://www.nml.org
Table
of Contents
Top
of Page
ART WORKS
SCULPTURE
Planning is imperative in displaying sculpture. Dollies will be needed for
removal as well as an escape route with no stairs. Pedestals with wheels are
useful, along with being displayed on the first floor. Things to keep on the
premises: blankets made of a fireproof material, dollies, and a crane. Most
importantly the artist must record, photograph and insure all works of art.
Coating the sculptures with a protective wax goes a long way in the preservation
of the sculpture. Sculptures should be cleaned and coated every year. The
coating of wax seals the pores of the sculpture. Before starting on any
conservation, the artist, if possible, should be contacted first.
Sculpture and fire
Wood sculptures must be removed first, and are usually quite heavy.
Plastic sculptures have no chance of survival unless removed in the early
stages of the fire. Their weight is light and can usually be carried. Keep in
mind that plastics do emit toxic fumes while burning.
Copper and soft metals (lead, tin) suffer substantial damage depending on
time of exposure to the fire.
Bronze, steel and iron will suffer surface damage but can withstand heat
fairly well. They will develop a patina on them. Bronze melts at 1700 F and
steel and iron above 2000 F. Damage will occur by things falling on them, or by
falling to the ground if their pedestal is destroyed.
Stone will crack under heat and their surfaces will be affected (depending on
the kind of stone). Sculpture will be extremely heavy so a pedestal with wheels
and location are key to their survival.
Sculpture and water
Sculptures located in seaside towns are very prone to damage from the
chlorides from the ocean water. They will definitely need a cleaning and
protective coating of wax every year.
Plastics and stone do well in water.
Bronze will not be affected much although long exposure will create a patina
on the surface.
Steel and iron will rust from exposure to water. Salvage these sculptures by
cleaning them by sand blasting or chemical solutions.
Sculpture and dust
Dust carries pollutants such as sulfates and nitrates, which when mixed with
water from humidity or rain, turn into sulfuric acid and nitric acid. These are
very abrasive to metals, and stone. If not treated, the acids will eat away at
the material, leaving rivets in the copper, bronze, marble and stone sculptures.
The acids will consume the metal sculpture right through to its hollow core. For
protection, clean and coat with butchers wax etc. to seal the surface of the
sculpture. The sculptures need to be cleaned and recoated with wax every year.
Stone and plastic can be washed.
Bronze, wood and steel can be dusted with dry cloth and chemicals.
Sculpture and earthquakes
Sculptures placed on pedestals filled with sand will sink into the pedestal
instead of falling off.
Sculptures can be bolted to their pedestals or adhered with a wax called
quake wax.
Very tall sculptures are better off being placed in a Plexiglas covering
instead of being bolted down.
Sculptures in storage should be placed in boxes, covered with plastic wrap.
Ideally, every sculpture should be stored on its own dollies.
For more information, contact:
National Museum of Art - SOOS (Save our outdoor sculpture)
202.357.2700
Hirshorn Conservation Lab - Mr. Lee Aks
202.357.3268
International Sculpture Center
202.965.6066
Schodek, Daniel L., Structure in Sculpture, The MIT Press, Cambridge,
Massachusetts, 1993.
Johns, Denny A., Principles and Prevention of Corrosion, Prentice
Hall, Inc., Simon & Schuster, New Jersey, 1992.
Guide to Copper Casting Alloys, Their Selection, Processing and Use,
American Smelting and Refining Company, 120 Broadway, New York, NY.
Table
of Contents
Top
of Page
PAINTINGS
Separate the merely wet paintings from those with structural damage.
Structural damage are tears in the canvas, flaking, lifting, and dissolving of
paint and ground layers. Consult a conservator for these paintings.
The treatment of items of high monetary, historic, or sentimental value
should only be performed in consultation with a conservator.
Paintings under glass
Remove the backing material from the frame. If the item is not stuck to the
glass, carefully remove it from the frame and air dry. If the object appears to
be stuck to the glass, do not attempt to remove it from the frame.
Water damage to paintings
Works on canvas or cloth (acrylic or oil).
If the painting is on an easel, transport horizontally, with the image facing
upward. If unable to do this, carry painting facing you, holding sides of frame
with palms of hand.
Use more then one person to transport the larger paintings.
Water damage must never be frozen. Air dry immediately.
Paintings should be unframed before drying, but not removed from stretcher.
Structurally sound paintings should be dried flat and face down on clean,
padded surfaces, followed by a layer of Japanese tissue paper. Make sure tissue
paper is not wrinkled.
Cut blotters to the inside dimensions of the stretcher frame.
Cut a sheet of plywood or thick masonite to the same dimensions, or smaller
to fit inside the stretcher keys.
Cover the back of canvas with a blotter (abut blotters end to end for a large
canvas), then the board, and finally weights.
Change the blotter frequently until the canvas is dry. If the tissue on the
face of the painting sticks to the paint layer, leave it in place.
Artworks on paper
Do not separate sheets that are stuck together.
Do not blot the surface of artworks on paper that have water-soluble media.
Interleave artworks in a folder.
Transport artworks flat with supports or in their containers.
Artworks should be air-dried.
Artwork that has mold, warped, saturated backings and works that are stuck
together, it may be appropriate to freeze and vacuum freeze dry.
To dry paintings with high or fragile impasto layers, consult a conservator.
Table
of Contents
Top
of Page
For more general information:
Mayer, Ralph, The Artist’s Handbook of Materials and Techniques, The
Viking Press, New York, 1981.
Emile-Male, Gilbert, The Restorer’s Handbook of Easel Painting, Van
Nostrand Reinhold Company, New York, 1976.
Hours, Madeleine, Conservation and Scientific Analysis of Painting,
Van Nostrand Reinhold Company, New York, 1976.
The American Institute for Conservation maintains a referral list of
conservators who will be able to provide guidance for treating private
collections 202.452.9545
Conservators:
Katherine G. Eirk
Bethesda, MD
301.571.9764
Meredith Mickelson
Bethesda, MD
301.229.683
Kendra Deerenee Lovette
Baltimore, MD
410.764.6770
Kitty Nicholson
Washington, DC
202.501.5360
Antoinette Dwan
Washington , DC
202.357.3241
Terry Boone Wallis
Hyattsville, MD
202.707.5634
Ann I. Seibert
Washington, DC
202.707.5634
James von Ruster
Washinton, DC
202.965.1818
Table
of Contents
Top
of Page
Supply list for Photographs, Motion Pictures, Microfilm, Painting and
Sculpture
Photographs
Absorbent material such as unprinted newspaper, blotters
Paper towels
Clean cloths
Wax paper or non-woven polyester material
Vacuum freezer
Artists' brush or soft cotton
Slides
Photo-file slide cleaner
Motion Pictures
Plastic pails
Cardboard cartons
Garbage Bags
Labels
Microfilm
Rubberbands
Plastic wrap
Heavy duty cardboard boxes
Garbage bags
Paintings
Blotters
Plastic sheeting
Japanese tissue paper
Plywood or masonite
Weights
Sculpture
Pedestals with wheels
Fire proof blankets
Dollies
Crane
Sand blasters
Chemical cleaners for metals
Table
of Contents
Top
of Page
APPENDIX: RESOURCES FOR PREPARING DISASTER PLANS
There is a wealth of information available online to use in developing an
emergency preparedness and response plan. The following list contains sources
that can be used as starting points for preparing a plan to meet the specific
requirements of an individual library:
The American Library Association maintains a Disaster Preparedness
Clearinghouse for Library Collections & Technical Services, on the American
Library Association homepage. This site, which contains links to disaster
preparedness sites and provides a list of disaster planning resources, is
located at:
http://www.ala.org/alcts/publications/disaster.html
CoOl – Conservation OnLine: Resources for Conservation Professionals,
a project of the Preservation Department of Stanford University Libraries,
provides full-text of documents relating to disaster planning and response.
Among the useful documents that can be accessed are:
1) Smithsonian Institution Staff Disaster Preparedness Procedures
2) Peter Waters’ Procedures for Salvage of Water Damaged Library
Materials
3) Betty Walsh’s Salvage at a Glance (this is listed with other
articles published by the Western Association for Art Conservation)
4) Disaster plans prepared by libraries and other institutions.
The CoOl site can be found at:
http://palimpsest.stanford.edu/
The Disaster Services section of SOLINET’s Preservation Homepage
includes a list of leaflets that are available online. Two of the leaflets
provide guidelines for disaster planning:
1) The Disaster Planning Process
2) Contents of a Disaster Plan
SOLINET’s Disaster Services page is located at:
http://www.solinet.net/presvtn/disaster/disastsv.htm
The Northeast Document Conservation Center maintains a Disaster
Assistance site, which includes a useful Worksheet for Outlining a
Disaster Plan. The NDCC web site is at:
http://www.nedcc.org/disaster.htm
The Emergency Response and Salvage Wheels, developed by the National
Task Force on Emergency Response, provide guidelines for steps to be taken
during the first 48 hours following an emergency. Order information for the
wheels is available at:
http://www.heritagepreservation.org/programs/tfwheel.htm
The Federal Emergency Management Agency (FEMA) site has an interactive
version of the Emergency Response and Salvage Wheels at:
http://www.fema.gov/
The Disaster Mitigation Planning Assistance Website is a joint project
of Michigan State University Libraries and the Center for Great Lakes Culture.
Many other institutions and individuals have also contributed to the success of
this website, providing information on suppliers and services for disaster
recovery.
http://disaster.lib.msu.edu/
Table
of Contents
Top
of Page
PART III
VENDORS AND SUPPLIES
[Intentionally blank, section to be added.]
Table
of Contents
Top
of Page |